Hillel Winograd
My people | They walk, they pass, they talk and cross, they grow up and have fun, they work, they are a thousand years old. In the busy street, they hurry. They are different, and
Maungthaw Aung
Street art | When I take street photos, my main focus is on people and their behaviour in public, thereby also recording people’s history. My opinion on street click look for
SÉBASTIEN DURAND
Compagnons de voyage | The series “Subway travel companions” takes place in the Paris metro in which the author spends long hours. Fruit of many trips, it began in Nove
Simon Åslund
Auslund Street | These are outtakes from my on-going series called “Night”, where I try to capture seemingly mundane scenes in a cinematic yet street style way during n
Vee Morgana
Most | of these have been taken in the last twelve months. They’re all a work in progress. COUNTRY | Australia BIO | Based in Sydney, I’ve been photographing since 200
Neftali Vazquez Palomo
I like the street | and I enjoy watching those scenes that often go unnoticed by most people. People often walk cramped in their world, or they walk in haste and without just conte
Valérian Piozin
This series | of photos represent different moments that I have been able to capture in the past few years and how these images can respond to each other. I like to see the street
Rita Piludu
Moments | A mixed selection of single photos from the last three years, taken here and there in Italy. COUNTRY | Italy BIO | Born and raised in Sardinia (Italy), where I started t
Lionel Buffe
This series as the whole of my work is not a project, but rather a visual approach in which I give roles to souls alone and tormented, whether they really are, or seemingly. My pas
Joseph Philippe Bevillard
Irish Travellers | I have been documenting Irish Travellers using a B&W film medium format camera since 2009. But an unfortunate incident occurred when I realized I left my ba
Lasse Erkola
Vast urban | areas like Tokyo and Osaka are overflowing with people. But amongst the hectic pace of these megacities, unseen moments of calmness, solitude, and wistfulness can be f
Paolo Ferreri
1s24h | one second of my twenty-four hours is the time I need to bring the camera closer to the right eye and shoot a picture during my twenty-four hours. This series explores the
Vaggelis Kousioras
Humanistic photography | (street, documentary, daily life) is the kind of photography I specialised in. Taking photos of strangers is what I do. I walk with my camera having nothin
Deepbrata Dutta
Colours of Bengal | Colourful Bengal through twelve pictures. My maximum pictures are based on light and shadow. Colourful streets of Kolkata and street silhouettes are deadly comb
