Eyeshot uses only papers from Fedrigoni, an Italian paper mill founded in 1888 in Verona. All Fedrigoni’s papers are FSC® certified, made from pure ECF pulp. Every product is fully biodegradable and recyclable.
Symbol Tatami White 135g/m2 is a thick paper coated on both sides with a Matt finish. Its volume and thickness give it a remarkable textural consistency that makes it ideal for prestigious publications such as Eyeshot’s monographs.
EFC: ELEMENTARY CHLORINE FREE | It’s an environmentally friendly type of paper that has been bleached with products free of elemental chlorine. By replacing it with chlorine dioxide, polluting emissions are reduced by 90%.
FSC® MIX | The Forest Stewardship Council is one of the internationally recognised forestry certification systems, which guarantees the proper management of forests and the traceability of the resulting products.
HEAVY METAL ABSENCE | Paper and packaging are produced in a way that allows them to be reused and recycled. The absence of harmful metals and other substances and materials that are hazardous to human health is guaranteed.
LONG LIFE: ISO 9706 | This certification ensures that paper production recycles more CO2 than it emits, thus reducing the release of CO2 into the atmosphere that causes global warming. In compliance with ISO 9706 standards, the paper we use is acid-free which gives it resistance to light, wear and tear, and durability over time. It can be stored for up to 200 years.
“As it Happened” is the first monograph of the Thai street photographer Sakulchai Sikitikul, with a foreword by Mel Breyer. 110 photographs narrate the ordinary wonders happening in the author’s hometown with acute graphic consciousness.
“Altered States of Agoraphobia” is the first book of the British photographer Simon Kossoff, with a foreword by Blake Andrews. 123 psychogeography photographs immerse us in the author’s half-truth and half-fiction all over the USA.
“Six Degrees of Separation” is the first monograph of the Greek photographer Lukas Vasilikos, with a foreword by Hercules Papaioannou. 130 photographs enter our perceptual habit and reveal the ephemerous theatre of daily life.
“In Plain Sight” is the twelfth monograph of the internationally recognized American photographer David Graham, with a foreword by W.M. Hunt. 123 photographs narrate short tales from the road, like postcards home from the not-so-typical American road trip.
“Realities Hidden Within” is the first book of the Italian documentary photographer Andrea Torrei, with an introduction by Sandro Parmiggiani. Over 130 photographs narrate a long journey through different cultures.
“The Geometry of Life” is the first photography monograph of the Award-winning visual storyteller Richard Koci Hernandez, with a foreword by Ben Lowy. 147 photographs bring us on a journey filled with nostalgia and mystery.
“Street as a Mirror” is the first book of the Greek photographer Stavros Stamatiou, with a foreword by Stella Johnson and Ermis Kasapis. Over 120 photographs show how reality connects with fantasy.
“Mareterno” is the first book by the Italian Street Photography duo Lorenzo Catena and Valeria Tofanelli, with an introduction by Melissa Breyer. 160 picturesque photographs unfold the secrets at the margins of Rome, far away from the Eternal City as we know it.
“Of a Different Stripe” is the second book of the American photographer and filmmaker Max Sturgeon, with an introduction by Vineet Vohra. Over 120 images show how two cultures meet halfway and become aware of one another through contrast and juxtaposition.
“Dreams the Black Sea” is the second book of the Turkish documentary photographer Suzan Pektaş, with an introduction by Gulnara Samoilova. 127 images shed a light on intimate narratives taking place every day on the coasts of the Black Sea.
“Almost Real” is the debut book of the Italian street photographer Francesco Sembolini, with an introduction by Richard Bram. 161 colourful images represent the three dimensions of reality with intense graphic awareness.
“The Flow of the Lines” is the second book by the German street photographer Siegfried Hansen, with an introduction by David Gibson. 147 beautifully composed images aim to tell the narrative of this abstract world.
“Serendipity” is the first monograph by the acclaimed Indian street photographer Vineet Vohra, with an introduction by Muhammed Muheisen. 160 colorful images show us an India made of beautifully random juxtapositions.
“In Color In Japan” is the debut book of the award-winning Japanese street photographer Shin Noguchi, with an introduction by Chuck Patch. 158 powerful images tell the story of everyday public and private life in Japan.
