Karim Mottaghi

IRAN. In the wake of the coronavirus outbreak, a grim specter swept across the globe, leaving no country unscathed. While first-world nations implemented stringent measures to combat the virus, the situation was markedly different in some developing countries.

© Karim Mottaghi

Karim Mottaghi

In the wake of the coronavirus outbreak, a grim specter swept across the globe, leaving no country unscathed. While first-world nations implemented stringent measures to combat the virus, the situation was markedly different in some developing countries, especially Iran. Heightened by limited medical resources, international sanctions, and political turmoil, Iran faced an unusually devastating impact of the pandemic. From April, 2020, until October, 2022, Karim Mottaghi witness firsthand the unfolding tragedy at Wadi-Rahmat Cemetery, the largest burial ground in northwest Iran, located in Tabriz, a city known for its harsh winters and sweltering summers.

© Karim Mottaghi
© Karim Mottaghi
© Karim Mottaghi
© Karim Mottaghi
© Karim Mottaghi
© Karim Mottaghi

There, the photographer not only captured these moments but also participated in the sacred rituals of bathing and burying the deceased. Loved ones, acquaintances, and fellow citizens, all were seen through the intimate prism of loss. During the peak of the pandemic, the narrator’s mother would muse: “In these cold and snowy days of Tabriz, death visits our homes without knocking. Death, sooner or later, will come and look at me with your eyes. If death comes to me, put me in the grave yourself, gently shake my shoulder, so that I can get used to the grave and sleep peacefully, just as I shook you many times in your childhood to calm down.”Her prophecies came true and death came to visit. Mottaghi buried her, fulfilling her last wishes by gently shaking her shoulder.

© Karim Mottaghi
© Karim Mottaghi
© Karim Mottaghi
© Karim Mottaghi
© Karim Mottaghi
© Karim Mottaghi
Eyeshot Magazine #11
Magazine · Open Call 2023

Eyeshot Magazine #11

The second Eyeshot Open Call, a reading of contemporary street and documentary photography across continents and approaches. Issue #11 collects six awarded works, single images and series, selected by a jury of ten photographers, editors, and curators. The works move between street observation, documentary practice, intimate portraiture, and political witness, presented as an annual reading of what photography is doing now.

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The next edition of the Eyeshot Open Call. Submissions open annually. Single images and series are welcome from photographers working in street and documentary photography.

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Each edition is read by a different international jury of photographers, editors, and curators. The full list of jurors who have read for Eyeshot is on the past jurors page.

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