In this Eyeshot 50mm interview, Lorenzo Catena joins the series. Street photographer based in Rome and a former architect, co-author with Valeria Tofanelli of Mareterno, the sold out limited edition Eyeshot published in 2021, he traces his conversion back to a single day: assisting an architectural photographer who came back with images of a building he had designed, reinterpreted with people inside them, and the old compact camera he pulled out of a drawer the morning after. He explains why he still sees the street in thresholds and layers, how he warms up his eye before photographing, why color is a decision he feels at gut level, and how a flash can be shaped until it passes for sunlight. He walks through the making of Mareterno along the seventeen kilometers of Rome’s coastline, from candid beginnings to portraits inside people’s homes, and through the places from the book that no longer exist five years later. And he takes a clear position on the present: rules are not a checklist, competitions are a lottery, and in a world of controlled AI images the future of street photography is the authenticity of the moment.
ABOUT EYESHOT 50MM
An Eyeshot conversation series
Eyeshot 50mm is a long-form conversation series with photographers working across street and documentary photography. Each episode is recorded in dialogue with a guest, expanding on the questions that move their practice. The series is part of the editorial work of the Eyeshot team in Italy.
Eyeshot 50mm #67 | Gary Knight: Nobody Wins a War
Forty years inside conflict, a rule he still repeats about not trusting what you see too much, and the reason he no longer thinks he should be the one telling those stories.
Eyeshot 50mm #66 | Max Sturgeon: How Flash Changed His Street Photography
American photographer Max Sturgeon, winner of the Eyeshot Open Call in the series category, on breaking the rule that says nobody should look at the camera, on the flash he swore he would never use, and on why a book is not made only of its strongest images.
Eyeshot 50mm #65 | Shin Noguchi: The Shutter as a Greeting
Japanese street photographer Shin Noguchi, juror of the Eyeshot Open Call 2026, on why pressing the shutter is closer to a greeting than to a capture, why he never photographs from hiding, and why coming closer sometimes means having the courage to step back.
Eyeshot 50mm #64 | Lorenzo Catena: Treat Your Photos Like Gold
Roman street photographer and former architect Lorenzo Catena on reading the street in thresholds, the making of Mareterno along the sea of Rome, and why authenticity will outlive the algorithm.
Eyeshot 50mm #63 | Bill Shapiro: On the Other Side of the Submission
Former Editor-in-Chief of LIFE and juror of the Eyeshot Open Call 2026, Bill Shapiro on what a juror actually sees, why a photograph should never need four paragraphs to explain itself, and what has mattered more than talent.
Eyeshot 50mm #62 | Ian Teh: Photographing the Price of Chinaโs Progress
British Malaysian photographer Ian Teh on two decades documenting Chinaโs transformation, the workers behind its staggering scale, and Undercurrents โ Reframed, his new limited edition with Eyeshot.
Eyeshot 50mm #61 | Richard Bram: The Restless Eye of the Street
Street photographer Richard Bram on four decades of catching the small gestures of public life, the uncertainty that makes a picture live, and Restless Eye, his new limited edition with Eyeshot.
Eyeshot 50mm #60 | Ximena Echagรผe: The Decisive Moment Is a Clichรฉ
Belgian-Argentinian photographer Ximena Echagรผe on coming to photography through sculpture and dance, why the decisive moment has become a clichรฉ, and the single idea behind her new Eyeshot limited edition, Adjacencies: proximity without fusion.